Ear Cuffs, Composed.
Silver and gold forms—fluid, asymmetrical, and precisely considered.
Swirling accents. Undulating surfaces. Symbols of structural intimacy.
Material Poetics
Compositions in silver and gold engage with the poetics of space. Material becomes a mode of enquiry: shaped, sculpted, softened.
Rooted in the studio’s cross-disciplinary origins, the collection draws from Gaston Bachelard’s writing on spatial imagination—bringing together emotional presence and dreamlike refinement into forms that can be worn: artefacts of design, vessels of structural intimacy.
Sculptural Highlights from Material Poetics
Introducing the first silhouettes in an evolving collection.
Sculptural Genesis
A Material Foundation
A landmark in the evolution of Lorn Jean, The Florentine Dress merges jewellery and garment into a singular sculptural form. Composed with thousands of hand-sculpted silver links, it shaped the studio’s material philosophy—where structure, balance, and imagination are resolved through process. Now exhibited at the National Museum of Scotland, it remains a defining expression of vision and form.
Made in the UK
Precision in Every Detail
Designed & modelled in-house. Cast in the UK. Hand-finished to a superior polish. Each piece is shaped through an explorative design process and crafted in responsibly sourced recycled precious metals, hallmarked at the Edinburgh Assay Office.
Studio Works Across Mediums
Forms in Process
Across garment, sculpture, and jewellery, each creation is part of an evolving study in form. Designed in small series, shaped through research, and refined by hand—the approach remains constant: slow, deliberate and considered in every detail.
