Five forms. An unfolding system of wear.
Material Poetics introduces a sculptural approach to ear adornment. Pieces that contour, with swirling accents and undulating surfaces—composing silhouettes within the poetics of space.
Each piece begins as a reflection in metal. Silver and gold are shaped in response to the body, composed through weight, rhythm, and surface. The inaugural series presents sculptural ear cuffs as architectural fragments scaled to the ear and held in place not by fastenings, but by proportion.
The lightest in the Swirl series. A refined composition sculpted to trace the ear’s contour with fluid asymmetry.
A sculptural conversation in two parts.
The duo compositions within the Swirl series explore variation through balance, composed to trace the ear in layered asymmetry.
Open Heart
A softened abstraction. Curves ripple in fluid asymmetry—an expression of depth, composed in form.
Swirls, undulating silhouettes, intuitive design.
Sculpted Milgrain
An interplay of weight and intricacy. Contours are softened yet structured, edged in fine detail, composed for balance and presence.

Material Poetics draws its earliest language from the Florentine Dress, a sculptural showpiece now exhibited at the National Museum of Scotland. Its principles of connection, form, and precision continue through each piece in this evolving series.
18ct Gold
Select forms in 18ct gold.
Refined in elemental weight and cast to order, each piece carries forward the sculptural language in a new material expression.
This is a collection that evolves in dialogue with form. New limited pieces will be introduced each month. Continuations in this sculptural language, refined, distinct, and always shaped through process.